February 18, 2025 0

Mononodes – UTILITY DCTLS for Davinci Resolve Free Download

The “Utility DCTL” pack encompasses tools for image analysis and adjustment. It includes the “Balance DCTL” for analyzing skin tones in footage and managing color deviations, the “Clipping DCTL” for identifying and handling clipping in light or dark areas, and the “Isolator” features for color isolation in bright and dark regions, emphasizing ‘pure’ colors.

BALANCE

DCTL

The “Skin Tone Indicator” highlights skin tones as yellow and indicates deviations from the skin tone line as magenta or green.“Exposure Heatmap” shows over/underexposed areas, while “Saturation Heatmap” highlights saturation extremes. “Gray Out Non-Skin Areas” simplifies skin tone correction by desaturating non-skin regions. “Split Horizontally” and “Split Vertically” enable comparison between corrected and original footage. “Highlight Neutrals” emphasizes neutral tones, and “Monochrome” enables grayscale for better color balance.

CLIPPING

DCTL

The “Clipping DCTL” identifies clipping in light or dark areas. “Darken BG” darkens the image except for the clipped regions, which remain highlighted, aiding in the clipping check process. Adjust the “White” and “Black” thresholds to control clipping detection for highlights and shadows. “Saturation 100% + 75%” highlights areas of high saturation, and “Saturation 100%” isolates only fully saturated regions for more precise color control. Split options allow for comparison between clipped and non-clipped areas.

RGB-MINMAX

DCTL

The DCTL visualizes the RGB and Luma values in footage. “RGB Parade” and “RGB Parade Clipping” display the RGB channels with an option to highlight clipping. Adjust “Trace Thickness” for better clarity, and control the visibility of the RGB and Luma channels with the “RGB Opacity” and “Luma Opacity” sliders. “Guide Lines Opacity” adjusts the visibility of the grid for precise monitoring, while “Darken BG” darkens the background for clearer separation of the data.

SKIN TONE INDICATOR

The advantage of using the ‘Balance DCTL’ is that it simplifies the color correction process. You don’t need to switch to the COLOR PICKER tool, or move it over the face to analyze each region.There’s no need to draw a circle with a mask to isolate the skin region. It’s eliminating the need to check the scopes for analysis. By activating the DCTL, you immediately see which areas on the face align with the SKIN TONE line and which areas shift more towards magenta or green. The “Skin Tone Indicator” slider enables you to set the range that turns skin color into yellow,

WORKS WITH ALL SKIN TONES

The ‘Balance DCTL’ tool assists in balancing skin tones in film by highlighting them as false colors when they align with the natural skin tone line, which typically shifts between red and yellow hues. This alignment is influenced by melanin, which primarily affects luminance rather than chroma values in the skin. By visually indicating when skin tones meet this established hue range, the Balance DCTL tool helps filmmakers ensure that all skin tones, regardless of ethnicity or lightness, are accurately represented according to the skin tone indicator line. This feature is particularly useful for maintaining consistent color accuracy across various lighting conditions and scenes, making it an essential tool for film projects aiming for visual continuity and authenticity.

The vectorscope in DaVinci Resolve helps colorists analyze hue and saturation. Hue is shown by the angle on the scope, while saturation is indicated by the distance from the center. However, it doesn’t represent luminance, meaning a bright and dark red may appear the same due to similar hue and saturation.

The “Show High” feature isolates colors in highlights, turning others grey for clearer vectorscope analysis. “Show Low” does the same for shadows. These tools provide precise, interference-free color range examination for effective color grading.

The “Color Isolator” removes luminance distractions, allowing focus on hues and saturation. By equalizing luminance to uniform gray, it offers a clear view of the pure colors in your footage. This feature is essential for unbiased color analysis, aiding in more informed color grading decisions